![]() ![]() The Pointer Sisters, the R&B vocal trio that came out of Oakland in the 1970s, will headline and get the keys to the town at the 18th annual Art + Soul Oakland celebration scheduled for July 28-29, in and around Frank H. ![]() Now, that’s comedy!”įor more information, go to Homecoming show “We bring those old obsessions to this new venture, a modern day parable set in the 16th century about colonialism, genocide and the subjugation of women. “John and I share a love of comedy, political satire and the same medication,” Taccone notes. Taccone, who collaborated with Leguizamo on the actor’s one-man show “Latin History for Morons,” developed at Berkeley Rep before hitting Broadway, will direct “Kiss My Aztec!”īenjamin Velez is writing the music, with lyrics by Velez, David Kamp and Leguizamo. Ethics, tribalism, and the intentions of business are tackled as Perloff delves into the shark tank of finance.”įor more information, go to Taccone finaleĪrtistic Director Tony Taccone will end his tremendous 33-year run at Berkeley Rep with a bang: the premiere of “Kiss My Aztec!” It’s a musical he wrote with the wildly funny John Leguizamo, and it will close the company’s 2018-19 season, which marks its 50th anniversary. Sakina, an Indian American venture capital associate, has big dreams of financing her idea of a bio-receptive, information-gathering fabric. Her new play is described as “a fight for survival in the Silicon Valley world of venture capital. Tuttle “The White Girl’s Guide to International Terrorism” by Chelsea Marcantel, the first piece spawned by the theater’s new commissioning program and “The Fit” by Carey Perloff, who steps down next month as American Conservatory Theater’s longtime artistic director. In addition to the six main stage shows already announced, San Francisco Playhouse will premiere three new plays in its Sandbox Series during the 2018-19 season: “Graveyard Shift” by Korde A. He’s got a lot of great qualities.”įor more information, go to Sandbox stories ![]() He plays very soft and moody and sad as well. “He’s a really fiery player, with incredible chops, for sure, but who expresses the full range of emotions. You can always tell it’s him,” Simon says of the New York saxophonist. “As an instrumentalist and as composer, Dave has a very individual sound. Simon’s latest recording, the well-received “Sorrows and Triumphs” - also funded by Chamber Music America’s New Jazz Works initiative - brings together the noted chamber quintet Imani Winds, singer Gretchen Parlato and Afinidad, the quartet Simon leads with Binney. And, of course, they’ve got great instruments,” says Simon, talking by phone from his Emeryville home. “I love the setting, which is very intimate and informal. ![]()
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